Anson Erik, Bakstran Morgan, Barnes Kelley,
Bluestein Lisa, Boccuzzi Nicholas, Capetola Anna, Daley Erika, DiConza Katherine,
Duong Lily, Hamel Alexander, Hassett Kelsey, Martino Sean, Nelson Emily, Page Jessie,
Santana Pena Ana, Spitzfaden Shannon, Waldo Hanna, Williams Caroline, Yu Jasmine.
Dec 2, 2015
Sep 12, 2015
Cosmopolitan Cultural and Aesthetic Experiences: The Grand Tour Narrative in the 21st Century
Differences, Inequalities and the Sociological Imagination
12th Conference of the European Sociological Association
Prague, Czech Republic, 25–28 August 2015
Cosmopolitan Cultural and Aesthetic Experiences
The Grand Tour Narrative in the 21st Century
Pierluca Birindelli
People all over the world cling fondly to the Florentine myth that spells Renaissance and all its legacy. Visitors’ expectations and their encounter with the edifying reality appear to be guided largely by the aesthetic appreciation of art. This leaves out of count many other cultural, social, political and philosophical aspects, and their contemporary ramifications, which could transform the epithet of “Cradle of the Renaissance” into “Museum of the Renaissance”. In this paper I wish to explore various current myths that lead foreigners to choose to visit/live in Florence for a while or forever. Is it possible to discern any shared, collective representations of Florence (and Tuscany)? Do they differ from other typical “Made in Italy” images? If so, how do such myths fit into the contemporary everyday life of the city? Can we arrive at a set of typical (or archetypical) biographical motives leading foreigners to Florence and distinguish certain identity traits? Is it possible to observe signs of a Cosmopolitan Spirit? And if so, can we identify a pathway from the aesthetic quest for the “authentic” Italian life to cultural encounters with Italians in the flesh? I hypothesize that one of the leading motifs of foreigners’ experiences is a romantic, and to a lesser degree, intellectual approach towards “Florence without Florentines”. The outlanders’ romantic coup d'oeil may induce a deceptive vision of Italian life and social reality. If so, there is nothing new “Under the Tuscan Sun”: the Grand Tour archetype and narrative is alive and kicking.
Keywords: Culture, Cosmopolitan, Narrative, Florence, Grand Tour
Research Network: Global, Transnational and Cosmopolitan Sociology
Jun 26, 2015
The Passage from Youth to Adulthood: Narrative and Cultural Thresholds
The Passage from Youth
to Adulthood
explores a society unanchored from culturally endorsed rites of passage, in
which young people and adults appear to build their identities within a culture
of dependency. Pierluca Birindelli interviewed Italian young adults still
living with their parents, focusing on their relations with the bedroom and the
objects in it. He then analyzed self-narrations and longer autobiographies
written by university students, measuring his impressions against sociological,
psychological, and anthropological literature. Exploring the paradigm of what
he calls “intergenerational collusion,” Birindelli finds fathers failing to act
as adults with the tacit complicity of their sons: both are playing to the same
script, heedless of the common good, the other, and the future. Finally,
integrating the experience of young Americans abroad sparks transcultural
reflections about the concept of play and the authenticity of social
performance.
Reviews
“Pierluca Birindelli has written a
theoretically ambitious study on a very fascinating subject: Italian young people who stay at
home until thirty and longer. Birindelli tells us what these young adults think and how they see
their lives. In doing this he develops new interesting concepts and presents an approach which
combines different methods to reveal the deep roots of the phenomenon and the effects it has on
the young Italians. We literally enter their rooms and their playful existence—both concretely
and theoretically. The book ends in a theory of the Big Game, which opens the way to understand
this Italian specificity. This is a groundbreaking book, which will make waves far outside Italy.”
― J.P. Roos, professor emeritus
of sociology, University of Helsinki, former president of the European
Sociological Association
“The young are the future. This book, which is
a book for young people and for adults, leads us with felicitous sociological
imagination into the world to come with its shadows and its lights.”
― Gianfranco Bettin Lattes,
professor of sociology, University of Florence
“The
Passage from Youth to Adulthood is all about truth, is based on our true
stories, true lives. This book is salt on
the wounds of a disoriented and fragile generation, scared to face a world that has become way more difficult than their
parents’. Pierluca succeeds in being ironic and passionate
at the same time in this original work.”
― Daniele Brunori, now a wine
merchant in Guangzhou, China
Pierluca Birindelli is a docent in sociology at the
University of Helsinki and teaches at Gonzaga University and the International
Studies Institute in Florence. Birindelli has published two books in Italian on
the passage from youth to adulthood, a monograph about self-identity in late
modernity, and articles addressing the themes of individual and collective
identity.
Cite
Birindelli, Pierluca. 2014. The Passage from Youth to Adulthood: Narrative
and Cultural Thresholds. Lenham, MA: University Press of America (Rowman
& Littlefield Group).
You can read a preview at Google Books and purchase it (Paperback and E-Book) at Amazon and Google Play
Etichette:
Adulthood,
Boundaries,
Cultural Sociology,
Narrative,
Youth
Keeping it in the family: the absence of young Italians from the public piazza (Pierluca Birindelli)
Abstract
The author
analysed autobiographies written by university students, comparing his
impressions with the results of studies on young people carried out by Italian
sociologists. The picture that he pieced together of this generation “without
fathers or teachers”, and of the related responsibilities of the previous
generation, is far from encouraging. The modern generation of young Italians
nurtures values pivoting on the family and on self-fulfilment, and acts within
spheres of friendship and sentiment at short radius. The rest of the social
world is mediated, experienced through films, internet and holidays. The
universalist attitude has been supplanted by a widespread and rooted
particularism. The collective dimension that transcends the experience of the
individual and his reference group has lost relevance.
You can read the
essay here: Keeping it in the family
Cite: Birindelli, Pierluca. 2014. “Keeping it in the family: the absence of young Italians from the public piazza.” Società Mutamento Politica, 5 (10): 147-172.
You can find all
the articles in “Società Mutamento Politica” (SMP vol. 5, n. 1), the Italian Review of Sociology directed by Gianfranco Bettin
Lattes: Youth for What? New Generations and Social Change (edited by Andrea Pirni).
Identity and Culture – Summer 2015
Andrews Meghan, Beckman Hanna, Briggs Alexandra, Coffey Anna, Crowell Theresa, Echemendia Michael, Gambuti Alexa, Schuchman Sarah, Triebel Erika,
Villait Nisha, Villareal Cristina, Walsh Emma
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